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Twenty One - Jessica Curry - Dear Esther (Vinyl, LP, Album)

9 thoughts on “ Twenty One - Jessica Curry - Dear Esther (Vinyl, LP, Album)

  1. Jessica Curry Composer and presenter. DEAR ESTHER “It's the wonderful, haunting music that carried us through the entire experience." GamesTM “A wildly original piece of storytelling with atmospheric music featuring mournful piano, strings and distorted soundscapes.” PC Zone Magazine.
  2. As a video game soundtrack, this is a gorgeous piece of work. Somber, atmospheric, it's beautiful. As an album to listen to when I'm alone and pensive, again, beautiful and perfectly suited for alone time. I've not enjoyed a video game soundtrack as much as I have with "Dear Esther". The game was nice, the soundtrack is nicer.5/5(11).
  3. Dear Esther soundtrack from , composed by Jessica Curry. Released by The Chinese Room in containing music from Dear Esther ().
  4. The Chinese Room's title Dear Esther is a master class in every aspect of its design, not least its music. For a game that places all of its emphasis on an experience, mood is absolutely.
  5. Jessica Curry discography and songs: Music profile for Jessica Curry, born Genres: Video Game Music, Plainsong, Modern Classical. Albums include Dear Esther: Official Soundtrack, Everybody's Gone to the Rapture, and Amnesia: a Machine for Pigs.
  6. Apr 13,  · Track numbers are listed sequentially on the back cover. This is the limited gold vinyl edition, released as a second pressing in March , following the limited white Dear Esther and black Dear Esther vinyl editions. Includes download code for the game "Dear Esther /5(11).
  7. Dear Esther (Original Soundtrack), an album by Jessica Curry on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
  8. Free 2-day shipping. Buy Jessica Curry - Dear Esther / O.S.T. [Vinyl] at gumermeicosabybasciluchemira.xyzinfo
  9. Tellingly, when developers The Chinese Room all but entirely stripped their experimental work and Half-Life 2-mod Dear Esther of the interactive elements typical of gaming, the result was largely cinematic. Jessica Curry’s score, thus, progresses much like a movie soundtrack – and a superb one at that.

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